What is a spinto role?
Spinto (from Italian, “pushed”) is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals.
What is spinto music?
The spinto is a tenor with a larger, slightly pressed voice (from spingere, Italian for push). While it is distinctly different from a light lyric tenor in a standard Mozart opera (for example a Don Ottavio in Don Giovanni), a spinto can come quite close to a more dramatic tenor.
What is a spinto mezzo?
Rosalind Plowright defines a spinto voice as one that has a tonal colour one down from its range. For example, a voice with a mezzo’s tone colour and the high notes of a soprano, or a voice with a tenor range and a baritone’s tone colour, is a spinto.
What is the FACH spinto soprano?
Spinto (aka Light Dramatic Soprano) Stronger voice with more weight and power than lyric soprano, able to sing up to B6 or C6. A light dramatic soprano must generally push her basically lyric instrument to create big sounds that can cut through an orchestral and/or choral climax.
Is a spinto soprano rare?
The fact that spinto sopranos are uncommon means that parts that are ideal for their voices are often performed by singers from other classifications, and more than a few lyric sopranos have damaged their voices singing heavier spinto roles.
What does spinto mean in music?
Spinto (from Italian, pushed) is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms lirico-spinto or jugendlich-dramatisch are used to denote this category of voice.).
What kind of roles can a spinto soprano play?
As they possess both a lyric and a dramatic quality, spinto sopranos are suitable for a broad spectrum of roles, ranging from genuine lyric parts such as Micaela in Carmen and Mimì in La bohème through to histrionically demanding Verdi heroines such as Leonora (in Il trovatore and La forza del destino) and Aida,…
What are some examples of Spinto tenors in opera?
He can convincingly sing roles as lyrical as Rodolfo in La bohème, the Duke in Rigoletto and Alfredo in La traviata, yet still excel in parts as heavy as Cavaradossi in Tosca, Don Jose in Carmen and Radames in Aïda. Canio, in Pagliacci, and Lohengrin are other well-known examples of spinto tenor roles.